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#20180720 | #20180711 | #20180628 | #20180613 | #20180507 | #20180418 | #20180411 | #20180328 | #20180313 | #20180222 | #20180213 | #20180204 | #20180126 | #20171224 | #20171221 | #20171207 | #20171202 | #20171116 | #20171031 | #20171024 | #20171004 | #20170925 | #20170909 | #20170825 | #20170819 | #20170808 | #20170725 | #20170715 | #20170706 | #20170605 | #20170514 | #20170513 | #20170504 | #20170421 | #20170412 | #20170404 | #20170330 | #20170303 | #20170227 | #20170218 | #20170221 | #20170217 | #20170215 | #20170202 | #20170129 | #20170125 | #20170109 | 20161229A | 20161219A | Restitute etceteras; transitional rote overlay. 11 | Assimilated cacophonic indicators, incongruous. 03 | When a might matter depends on that immaterial. 11 | Is it not best when possibilities aren’t optional? | A step back recommendation, or a backstep recital. | Turns out there’s a use to all the what’s the use. | Agoes gathered aimlessly, intercepted naturally. B | An other path to linger i.e. or heeding longer. 01 | Less about sense or a bout of extra perception. 33 | Less about sense or a bout of extra perception. 11 | Less about sense or a bout of extra perception. 05 | for if language will transmit it must first repeat | Summer space, smelting selves, simmer shimmers. 21 | Summer space, smelting selves, simmer shimmers. 05 | ‘cause it’s up to us or the we that make it up, 11 | The choosing is up to and made up of, also you. 11 | Equations involving a consequence of sequences. 05 | For when the segmentation resounds, abundantly. 05 | Or, the process overtaking the effort involved. 03 | The point in which efforts meet with processes. 05 | In effect, surmisable in sequentiable snippets. 03 | The contrasted, versus those comparison results. G | Accounts culled, umbra meted, engulfed natures. 10 | Along but still the really aside cue territory. 16 | Multiplicitous extrapolatable characterization. 37 | Multiplicitous extrapolatable characterization. 16 | Because luminescence extracted noirish details. 16 | 2015-08-04 | Return to Archive

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